PLEASE WELCOME GUEST AUTHOR CATHY HESTER SECKMAN and her new release, RIGHTSIDE/WRONGSIDE!
I wrote my first novel when I was 10. It had at least a dozen pages, and featured a scarecrow, a tin man, and a lion.
It’s been a very long time since then, and my writing journey has diverged in multiple directions along the way.
1971: a teacher told me I had writing talent
1984: a newspaper editor said I was a “very good writer”
1984-present: I worked for three different newspapers; won some newswriting awards; wrote more than 150 magazine articles; became a professional indexer with more than 200 to my credit (so far); had a middle-grade novel released; indie-published three novels and an anthology with friends; and had two non-fiction books published.
2023: “Rightside/Wrongside,” my dystopian matriarchal fantasy, debuts today from The Wild Rose Press!
“Rightside/Wrongside” developed from a thought about the absurdity of one sex dominating the other. What would happen if the Middle Ages dynamic between the sexes was reversed? What if women had a turn at being in control?
I loved the idea, but the actual writing took more than a dozen years. After several starts and stops, it was finally finished in 2017. Being tired of the indie-publishing slog, I decided to look for an agent. Sixty-seven rejections later, the R/W files got buried and forgotten.
Fast-forward to 2022. I signed up for a pitch appointment at a local writers’ conference, and lightning struck. I signed a contract with Wild Rose, and here we are!
In Rightside, women are in charge of everything. Men live behind a 200-mile Fence in Wrongside, and can only see women when the women feel like having sex. Sounds great so far, doesn’t it?
But there are difficulties (of course). Women keep their daughters, and men never know of them. Sons are sent across the Fence to their fathers, and their mothers never know if they live or die.
Women live in a rigid, stifling society plagued with political strife, smuggling, and sabotage. Men live in a lackluster kind of way, raising their boys and not caring much about the kind of society they live in.
Things start to come to a head. In Rightside, Jessie takes an illegal test to discover the sex of her baby. It’s a boy, and she vows she won’t send him to Wrongside alone. Her friend Tenosha has already sent a son across the Fence, then vows she can’t live without him.
In Wrongside, childless Bud sees a smuggled piece of Rightside art depicting a mother and daughter. For the first time, he vows to find out if he ever fathered a daughter. Doc Medina pines over a woman he met once for sex, and vows to find her somehow.
Things fall apart, trouble escalates, civil war erupts. When the last shot is fired and the last combatant falls, both sides realize their way of life is untenable and they need to begin talking to each other. My next book, “Oceanside,” will continue their story.
EXCERPT
The old man dozed over his paperback. Even in a busy week his job was boring as hell. What made it worthwhile, besides the status and the pay bag, was the free bed. Old Willie lived right in the Transfer Cabin, backed up against the Border Fence in Cody, and that suited him fine. He took his meals at a bar down the street – had a few good friends there – and spent most of his free time nodding over a book or stoking his small stove.
It was a nice quiet life, a safe life. Nobody bothered the man in the Transfer Cabin. Yeah, it suited him fine.
The bell rang, startling him out of his doze. It wasn’t a simple ring, for boxed goods or vehicles through the big Door, but the four-note flourish they used for a baby. It sounded again, signaling two to transfer. “It never rains but it pours,” he mumbled, and limped over to answer the bell.
When the ready light flashed on, Old Willie pulled out the heavy metal Drawer set into the back wall of the cabin. He smiled down at the two sleeping babies.
“Welcome to Wrongside,” he said softly.
The babies didn’t even wake up as Willie started his paperwork. That was good – it would give him time to heat some bottles after he finished.
He puzzled over the babies’ names, rolling possibilities slowly across his tongue. “Trader, Travis, Trevor? Brandon, Bert, Brock, Buford?”
Willie liked naming babies. It was his favorite part of the job. The last few transfer agents had been lackadaisical about it – most folks around here were named Bob or Mike or Tom – but Old Willie tried to be creative. He had an antique pre-Settlement book on baby names, and it was brittle and dog-eared with age and use.
“Henry, Hollis, Hoss, Hud?”
The dark-haired baby let out a wail.
“Okay, Hud, you little asshole, couldn’t wait till I was finished, could you?” Willie scolded. He picked up the crying infant and slung him over one shoulder, cradling the head carefully.
“You’ll just damn well have to ride over here with me till I get you a bottle warmed up,” he said, heading for the kitchen.
The baby, lulled by the warmth of Old Willie’s body and the rumble of his voice, drifted back to sleep.
Willie peeked down at the closed eyes. “Little asshole,” he commented absently.
My latest book, Serpent’s Kiss, is dedicated to my father. He has been gone for for nearly fifteen years, but I still feel his presence, every day. During the time since his passing, the pain of loss has healed. I’ve come to understand that he’ll always be with me, in my memories and in my heart.
More than any other individual, it was my dad who inspired me to read, and to write. He had the gift of words, and passed it on to his children. I recall him reading aloud to my siblings and me, folk tales, fairy stories, adventures like Treasure Island and Robinson Crusoe. He told his own stories, too, inventing worlds and characters for our pleasure. There were the Gulkons, terrible demons who lived in the fire on the hearth, and Houligan, the god of snow. (I grew up in chilly, stormy New England.) I still remember sitting spellbound while Dad recounted his story of the hapless wizard Thomas Carl Sefney who had to touch his wand to every one of the monster’s thousand tentacles before it consumed him.
Both my parents encouraged me to write. My first poems date from about third grade. During my childhood I wrote fantasies about Martians and ghosts, and plays about the Beatles and politics. In my adolescence, too shy to speak to any of my crushes, I poured out my adoration in anguished free verse. In my twenties and thirties, I wrote science fiction and first tried my hand at romance. Finally, in my forties, I actually managed to publish something (other than in my high school newspaper). My first thought was to call my father.
My dad and I shared favorite books, characters and authors. When he and I got talking about Sherlock Holmes or Frodo Baggins, H.P. Lovecraft or Edgar Allen Poe or Anne Rice, the rest of the family would roll their eyes and leave us to our obsessions. I never had any difficulty figuring out what gift to get him for his birthday or Father’s Day. There was always some book that I had seen or heard about that I knew he’d love.
I never did introduce him to my erotica, though. I was so tempted to show him the pile of paperbacks with my name on the cover, the multiple volumes I had penned or edited. I wanted to autograph him a copy of my first novel, telling him how much he had contributed to my literary endeavors. I wanted him to be proud. However, I didn’t want to make him uncomfortable. I recalled the way he reacted when I gave him Anne Rice’s BDSM classic The Claiming of Sleeping Beauty – an embarrassed grin and a “oh, that’s interesting”. We didn’t discuss that book much. Though I would have welcomed the opportunity to open up to him about my own pursuits in the world of sex and sensuality, dominance and submission, I sensed that he would rather not know.
I guess that there are just some things you can’t share with your parents, no matter how close you are. But at very least, I can acknowledge him as my lifelong inspiration.
OUR STORY:
When a woman atoning for past sins heals the human avatar of an ancient god, she’s drawn into a perilous dance of destiny and desire.
From the first, Dr. Elena Navarro senses that the wounded man she discovers outside the gate of her rural clinic is not an ordinary mortal. With his chest ripped open, Jorge Pélikal still demonstrates unnatural strength and power. Elena is irresistibly attracted to Jorge, although he warns her their coupling could open the gates of chaos and cost her life. Despite his dire predictions, they fall in love. Gradually Elena comes to understand that Jorge is a supernatural player in a cosmic drama that will determine the fate of the earth and of mankind—and that even if he triumphs in his apocalyptic struggle with his nemesis, she may lose him forever.
Note: Serpent’s Kiss was previously published by Totally Entwined. This new edition has been re-edited, revised and expanded.
Reader Advisory: This book may not be appropriate for individuals with a fear of snakes.
Excerpt :
“Doctora!” The voice rose out of the darkness—the voice of the man who had vanished that morning from a sealed room, leaving no trace but a brilliant, multi-colored feather. As if conjured by her thoughts, Jorge Pélikal emerged from the shadows. He waited at the foot of the steps, mutely requesting her permission to ascend.
He looked far healthier than when she had seen him last. His step was firm and strong, with no indication that he was in pain. His hair cascaded over his shoulders, gleaming in the light of the rising moon. She could not see his face—he was still too distant—but she could smell him. Vanilla and wood-smoke—the same scents that were evoked by the mysterious token she had found under the bed.
He was dressed in rough-woven trousers and a peasant’s cotton tunic, all in white. His skin, in contrast, was a deep cocoa-brown.
Elena’s heart rose into her throat. He was beautiful. He was dangerous—she sensed this—not because of what he might do, but because of who he was. But who exactly was he?
“Jorge! Why did you run away?” She gestured for him to join her on the porch. In an instant, he stood in front of her, a half-smile on his full lips.
He grasped her hands. His skin was cool now, and moist like the jungle night. His fever is gone, she thought gratefully. Joy bubbled up in her chest. She almost laughed. She had thought that she would never see him again.
“I had no choice. I was in grave danger. And by remaining in your clinic, I was placing you in danger.”
“Moving when your chest has been ripped open and is held together by nothing more than a few feeble stitches wasn’t exactly the safest thing to do,” she scolded. “But I’m happy to see that you’re so much better.”
“Much better, thanks to you…Elena.” He squeezed her hands. Desire raced through her, sharp, irrational, irresistible. “I’m sorry that I had to return and place you at risk once again. But I left something behind. Something important.”
“I know. I have it, hidden safely away.”
He searched her face, apparently trying to determine how much she knew about the feather. “Give it to me, then, and I’ll leave you in peace.”
“No.”
“What?”
“No—I don’t want you to go. I’ll give you the feather, but only if you promise to spend the night with me.” Listening to herself, Elena was appalled. What was she saying?
She had not planned this. She was keeping the feather for him and had honestly intended to return it. But now she wanted him, with a single-mindedness that drove out all reason. She would do anything to satisfy this uncharacteristic craving. She could not let him escape again.
He cupped her cheek in one of his strong brown hands. Elena nearly swooned.
“You don’t know what you’re asking. It’s not possible.”
“I know what I want. What I need. And I won’t return the feather until you give it to me.”
He removed his hand, leaving her mourning for his touch. “I could force you.” Though his voice was soft, his words rang with power.
“Go ahead and try.” Elena’s words were defiant, but there were tears in her eyes.
“You don’t understand what you ask. If we couple, you and I, we will open the gates of chaos.” He hovered close, leaning over her, gazing into her eyes. His scent made her dizzy.
“I don’t care. So be it.”
“No. I dare not, Señora.” Taking a step backward, he glanced around the porch, as if seeking a way to push past her and enter the clinic. She moved to block the door, legs apart and hands on her hips.
Perplexity marked his handsome features. She didn’t doubt he was strong enough to physically overpower her, but he seemed reluctant to do so.
“Please.” Now his voice held a note of supplication. “Be reasonable, Elena.”
“Don’t you want me?”
“What I want does not matter. I must do my duty and refuse you. The tasks before me will be difficult enough without the distraction of love.”
Love? That wasn’t what she was asking for, was it? The desire that raged through her seemed as far from love as a fierce hurricane from a gentle spring shower. At the same time, her intuition told her that a single night in Jorge’s arms would never be enough.
Lisabet Sarai became addicted to words at an early age. She began reading when she was four. She wrote her first story at five years old and her first poem at seven. Since then, she has written plays, tutorials, scholarly articles, marketing brochures, software specifications, self-help books, press releases, a five-hundred page dissertation, and lots of erotica and erotic romance – over one hundred titles, and counting, in nearly every sub-genre—paranormal, scifi, ménage, BDSM, LGBTQ, and more. Regardless of the genre, every one of her stories illustrates her motto: Imagination is the ultimate aphrodisiac.
Who wants to tour a haunted hotel? You should all have your hand up! After all, it’s Halloween season.
While I write paranormal mysteries that are pure fiction, I love a good ghost story based on reality. My tour of The Stanley Hotel in Estes Park, CO, fed those cravings. I’ll tell you upfront that I did not see any spirits with my own eyes (insert disappointed foot stomp here), but the whole time spent had a spooky vibe, which I loved.
The first surprise about the hotel is that it’s a stone’s throw from the town of Estes Park. As hauntingly beautiful the drive to The Overlook Hotel is depicted in Stephen King’s The Shining, it is not off by its lonesome. Rolling up to the actual structure, however, wiped away any disappointment as the hotel is simply majestic.
Of course, there were many touches referring back to the original movie, despite not being filmed there. It surprised me to hear from the tour guide that Stephen King and his family only spent a single night. The author received enough inspiration from the setting and the stories told by the staff that he wrote the novel.
My tour guide not only believed in spirits, but related personal encounters she’d had at The Stanley. She also shared pictures of apparitions that were sent to her from previous guests. Room 217 has been renamed after the famous writer who stayed there, and reservations for the suite are booked out two years. The only paranormal experience I had took place in a large room on the ground floor, which had once been the bar. Immediately upon entering, most guests (myself included) felt a heaviness to the air.
Many of the historical facts about the two Stanley brothers, who built the structure, can be found online. My attraction for the place lies in the paranormal aspects attributed to the hotel. As a writer, much of my own inspiration comes from places I’ve lived or visited. Every trip I take leads me to create plot lines, scenes, and even mishaps which could find their way to the pages of my books.
Today’s release of Manatee Soul, The Marni Legend Series Book 2, came about from a girls’ trip to Crystal River, FL. My two main characters, Marni and her sister, Gloria, participate in some of the tourist activities I enjoyed. While my travel companion and I both willingly ventured into the water, Gloria didn’t have quite the same enthusiasm, as you’ll discover. Add in Phil, a snarky ghost demanding the sisters’ attention, and you’ll embark on quite the aquatic adventure.
Book & Author Details:
Title: Manatee Soul
Author: Terry Segan
Blurb:
Marni Legend has embarked on the most perilous journey of her life—a vacation with her sister. The women are like two peas in a pod, providing each pod came from a different mother ship. One day into their Florida adventure, Marni questions her choice of travel partner. Gloria strives to understand her carefree younger sibling while kayaking and snorkeling without chipping a nail.
With nothing but eternity on his hands, Phil insists the sisters resolve the circumstances of his untimely demise. The wise-cracking spirit leads them on a trail filled with bartenders, bikers, and the promise of a hidden treasure.
Her greatest challenge will either be enduring a week with Gloria or surviving the thugs searching for the stolen booty. Can Marni figure out who to trust, who to avoid, and who she’d most likely want to be trapped alone in an elevator with?
EXCERPT
“What’s wrong? Can’t hold your liquor?” Phil quirked from beside the outer rail.
“You are not allowed to comment,” Gloria rasped.
“Why not? This is terribly amusing.” Phil stood with arms crossed.
“We went to the bar because of you,” Gloria said.
“And did I make you down several beers and shots of tequila?” Phil asked.
Gloria put a palm to her forehead. “Can you talk quieter? I can’t handle shouting right now.”
Phil snickered.
“Phil, give her a break. She’s not used to playing the wild girl.”
“And I’m not used to playing the dead guy. Guess we all have our issues. At least she’ll recover from hers.”
She sucked down more soda. “Why is he still here?”
“Because you haven’t helped me to move on. You really are slacking on your responsibilities.” He shook his head.
Letting out a loud gasp, Gloria said, “I don’t mean here, like still on this planet. I mean why are you still here on our balcony? If you don’t stop prattling, my head will explode.”
Phil rubbed his hands together. “Now that would be fun to watch. And by the way, I do not prattle.”
“Just let me die in peace.” Did she end that comment with a growl?
“If that were to happen, then we’d be together for eternity.” Phil clapped his hands together like an excited toddler. “Marni, quick, more tequila.”
Terry Segan, originally from Commack, NY, now resides in the desert where she’ll never require an ice scraper or snow shovel again. The beach is her happy place, but any opportunity to travel soothes her gypsy soul. The stories conjured by her imagination while riding backseat on her husband’s motorcycle can be found throughout the pages of her paranormal mysteries. Growing up immersed in sarcastic humor and science fiction movies, Terry’s goals are to cause her readers to laugh out loud, cry with joy, or cower under the covers wondering if the noise under the bed was real or imagined.
FROM HERE TO FOURTEENTH STREET from author DIANA RUBINO
Now on Audio with the soothing voice of narrator Nina Price
Read About FROM HERE TO FOURTEENTH STREET and how Vita Found Love and Success Against All Odds
It’s 1894 on New York’s Lower East Side. Irish cop Tom McGlory and Italian immigrant Vita Caputo fall in love despite their different upbringings. Vita goes from sweatshop laborer to respected bank clerk to reformer, helping elect a mayor to beat the Tammany machine. While Tom works undercover to help Ted Roosevelt purge police corruption, Vita’s father arranges a marriage between her and a man she despises. As Vita and Tom work together against time and prejudice to clear her brother and father of a murder they didn’t commit, they know their love can survive poverty, hatred, and corruption. Vita is based on my great grandmother, Josephine Calabrese, “Josie Red” who left grade school to become a self-made businesswoman and politician, wife and mother.
An Excerpt:
As Vita gathered her soap and towel, Madame Branchard tapped on her door. “You have a gentleman caller, Vita. A policeman.”
“Tom?” His name lingered on her lips as she repeated it. She dropped her things and crossed the room.
“No, hon, not him. Another policeman. Theodore something, I think he said.”
No. There can’t be anything wrong. “Thanks,” she whispered, nudging Madame Branchard aside. She descended the steps, gripping the banister to support her wobbly legs. Stay calm! she warned herself. But of course it was no use; staying calm just wasn’t her nature.
“Theodore something” stood before the closed parlor door. He’s a policeman? Tall and hefty, a bold pink shirt peeking out of a buttoned waistcoat and fitted jacket, he looked way out of place against the dainty patterned wallpaper.
He removed his hat. “Miss Caputo.” He strained to keep his voice soft as he held out a piece of paper. “I’m police commissioner Theodore Roosevelt.”
“Yes?” Her voice shook.
“I have a summons for you, Miss Caputo.” He held it out to her. But she stood rooted to that spot.
He stepped closer and she took it from him, unfolding it with icy fingers. Why would she be served with a summons? Was someone arresting her now for something she didn’t do?
A shot of anger tore through her at this system, at everything she wanted to change. She flipped it open and saw the word “Summons” in fancy script at the top. Her eyes widened with each sentence as she read. “I can’t believe what I’m seeing.”
I hereby order Miss Vita Caputo to enter into holy matrimony with Mr. Thomas McGlory immediately following service of this summons.
How FROM HERE TO FOURTEENTH STREET Was Born
New York City’s history always fascinated me—how it became the most powerful hub in the world from a sprawling wilderness in exchange for $24 with Native Americans by the Dutch in 1626.
Growing up in Jersey City, I could see the Statue of Liberty from our living room window if I leaned way over (luckily I didn’t lean too far over). As a child model, I spent many an afternoon on job interviews and modeling assignments in the city, and got hooked on Nedick’s, a fast food chain whose orange drinks were every kid’s dream. Even better than the vanilla egg creams. We never drove to the city—we either took the PATH (Port Authority Trans Hudson) train (‘the tube’ in those days) or the bus through the Lincoln Tunnel to the Port Authority Bus Terminal.
My great grandmother, Josephine Arnone, “Josie Red” to her friends, because of her abundant head of red hair, was way ahead of her time. Born in 1895 (but it could’ve been sooner, as she was known to lie about her age), she left grade school, became a successful businesswoman and a Jersey City committeewoman, as well as a wife and mother of four. She owned apartment buildings, parking garages, a summer home, did a bit of Prohibition-era bootlegging, small-time loan-sharking, and paid cash for everything. When I began outlining From Here to Fourteenth Street, I modeled my heroine, Vita Caputo, after her. Although the story is set in New York the year before Grandma was born, I was able to bring Vita to life by calling on the family legends and stories, all word of mouth, for she never kept a journal.
Vita’s hero Tom McGlory isn’t based on any real person, but I did a lot of reading about Metropolitan Policemen and made sure he was the complete opposite! He’s trustworthy and would never take a bribe or graft. I always liked the name McGlory—then, years after the book first came out, I remembered that was the name of my first car mechanic—Ronnie McGlory.
Changing the Title
When I proposed the story to The Wild Rose Press, I wanted to change the title, as it went through so many revisions since it was first published. I wanted to express Vita’s desire to escape the Lower East Side and move farther uptown. I considered Crossing 14th Street, but it sounded too much like Crossing Delancey. After a few more hits and misses, the title hit me—as all really fitting titles do.
A Bit of Background—What Was 1894 New York City Like?
The Metropolitan Police was a hellhole of corruption, and nearly every cop, from the greenest rookie to the Chief himself, was a dynamic part of what made the wheels of this great machine called New York turn.
The department was in cahoots with the politicians, all the way up to the mayor’s office. Whoever wasn’t connected enough to become a politician became a cop in this city. They were paid off in pocket-bulging wads of cash to look the other way when it came to building codes, gambling, prostitution, every element it took to keep this machine gleaming and efficient. They oiled the machine and kept it running with split-second precision. The ordinary hardworking, slave-wage earning citizen didn’t have a chance around here. Tom McGlory and his father were two of a kind, and two of a sprinkling of cops who were cops for the right reasons. They left him alone because he was a very private person; he didn’t have any close friends, he confided in no one. He could’ve made a pocket full of rocks as a stoolie, more than he could by jumping in the fire with the rest of them, but he couldn’t enjoy spending it if he’d made it that way. They knew it and grudgingly respected him for it. He was here for one reason–his family was here. If they went, he went. As long as they needed him, here he was. Da would stop grieving for his wife when he stopped breathing. Since Tom knew he was the greatest gift she gave Da, he would never let his father down.
Meet Vita: An Interview With Vita Caputo, Heroine of FROM HERE TO FOURTEENTH STREET
Vita, we know you and Tom overcame astronomical odds to stay together. It’s like Romeo and Juliet. I can imagine how torn you felt when you wanted to be with Tom, but didn’t want to defy your father. Tell us, what was your family and homelife like when all this was going on?
Well, I loved my father and brothers more than anything, and didn’t want to defy them. Yet at the same time, I felt they weren’t respecting my wishes. I was in love with Tom, and they hated him for two reasons, which to me, were irrational—he’s Irish and he’s a cop. But you have to understand their underlying reasons—cops always gave Italian immigrants a hard time on the Lower East Side. They didn’t give Italians a fair shake. Many of them were bullied, arrested for crimes they didn’t commit—and of course if you know my story, you know that the police framed Papa and my brother for the murder of Tom’s cousin, also a cop. I can understand their hatred of the police force for this heinous act. But not the entire police force is corrupt. Teddy Roosevelt, the Commish, certainly wasn’t, and Tom certainly isn’t. But when you face this hatred and injustice every day, it’s easy to be bitter. Our homelife, before I met Tom, was the usual Italian household—we struggled to make ends meet and didn’t have much, but I always made sure we had more than enough to eat, and to share with those who had less. I went without new clothes, shoes, coats, to buy groceries so we wouldn’t go hungry. We argued over petty things—like who left the stove on—but we always made up in the end. We were very affectionate, and gave each other a lot of hugs and kisses. We sometimes felt the world was against us—and at times it was.
What did your childhood home look like?
Did you ever see the classic Jackie Gleason sitcom The Honeymooners? They had a walk-up flat in Brooklyn. Well, ours was on Mott Street in Manhattan, but our flat looked much like that—it was called a ‘railroad flat’ because all the rooms were in a row—kitchen sitting room, bedrooms in back. We shared a toilet on the landing. But compared to other Mott Street tenements, we had it made—we had indoor plumbing. No bathtub, but a sink with running water. We didn’t have to go to a backyard privy. The bedroom was partitioned off by a curtain that I’d made—one side was mine, the other side my brother’s. Papa and his wife Rosalia had another bedroom to themselves.
What is your greatest dream?
To be a Senator or Congresswoman, but I’m happy enough as a committeewoman for now.
What kind of person do you wish you could be? What is stopping you?
I wish I could be calmer and slow down. I do too much—run the household because I refuse to hire help, raise our 3 kids, work and invest our savings. I follow the stock market and purchase stocks that have long-term growth potential. What’s stopping me is my drive to get ahead.
Who was your first love?
Tom, of course. My father tried to throw me together with ‘a nice Italian boy’ Roberto Riccadonna whose family owned a music store and was ‘well off’ – but he was arrogant and controlling. He threatened me when I told him I wasn’t interested in him. He and Tom got into fisticuffs when I found Roberto under my boardinghouse window singing “O Sole Mio” with a mandolin. He had a nice voice, but Tom was hardly impressed.
What’s the most terrible thing that ever happened to you?
When Papa and my brother Butchie were arrested for the murder of Tom’s cousin Mike. It tore me into pieces, because Tom didn’t want to believe Papa and Butchie were the killers, but evidence pointed to them. We made it our quest to find the real killer, and we did. It created a huge rift in our relationship of course, but we overcame that as we got through all the other hardships and prejudices that tried to keep us apart.
What was your first job?
I started out as a sweatshop worker sewing ‘shirtwaists’ (blouses), and now I’m a committeewoman, with a view to being New York City’s first female mayor.
What’s your level of schooling?
I left school at 16 to go to work in a lampshade factory.
Where were you born?
Sassano, Italy, near Naples.
Where do you live now?
Greenwich Village, in a brownstone on East 14th Street.
Do you have a favorite pet?
They’re all favorites, two mongrel pups, Charlie and Shirley, two cats Romeo and Juliet, and assorted goldfish whose names we can’t keep up with!
What’s your favorite place to visit?
Coney Island, to sit on the beach, frolic in the ocean, eat those delicious hot dogs and fried dough, and stroll the boardwalk!
What’s your most important goal?
To see my three children become successful, respectable citizens. Doing all right so far—my daughter Assunta (Susan) owns a clothing store, my son Virgilio (Billy) writes Broadway musicals and my youngest Teresa (Tessie) wants to be a baby doctor.
What’s your worst fear or nightmare?
That the stock market will crash again or some other disaster will plunge us back into poverty.
What’s your favorite food?
My homemade lasagna with my grandmother’s sauce recipe (it’s a secret)
Are you wealthy, poor, or somewhere in between?
We’re finally members of the solid middle class.
What’s your secret desire or fantasy?
To sing in one of my son’s musicals.
What would you do if you won the lottery?
I’d buy my own airplane and give the rest to charity.
A Review From Romantic Times:
Immigrant Vita Caputo escapes New York’s Italian ghetto and secures a job in a Wall Street bank, along with a room in a Greenwich Village boarding house, thanks to Irish police officer Tom McGlory. With her new beginning, Vita even joins the Industrial reform movement.
Tom is an honest cop, with little interest in women until he meets Vita. When Tom’s cousin is murdered and Vita’s father and brother are arrested for the crime, the two team up to investigate and soon discover that they are falling in love.
Vita and Tom face economic problems, prejudice, and cultural differences. Ms. Rubino’s research is obvious.—Kathe Robin
From Rhapsody Magazine:
FROM HERE TO 14th STREET by Diana Rubino is all that and then some. Everything about this book is what writing should be–original and wonderfully executed. Bravo!—Karen L. Williams
From Book Nook Romance Reviews:
Diana Rubino has done a masterful job of researching the life of Italian and Irish immigrants in turn-of-the-century New York, its society and politics and crime. She paints a vivid picture of the degradation immigrants of Italian descent suffered, particularly at the hands of the earlier Irish immigrants they succeeded. Barred from all but the most menial jobs, forced to live crammed into the worst slums, she makes it easy for the reader to understand why many of them turned to a life of crime and violence. Not only can the reader see what Vita and Tom see, they can smell it, hear it, and taste it.
Vita is a delightful heroine, as full of vivid life as the city she lives in. Stubborn, determined to escape the ghetto in which she lives and make something of herself, she never loses her commitment to and love for her family. That very devotion, however, threatens her growing relationship with Tom, since the Irish and Italians are the Capulets and Montagues of 19th century Manhattan. Although she cannot help falling deeply in love with him, she knows that her father and brothers will never permit her to spend her life with him. And, in a departure from the usual super-masculine hero, Tom is a sensitive, secret poet as well as a cop.
If you like vivid characters and a book that carries you effortlessly back to an earlier time, FROM HERE TO 14th STREET is a good choice. –Elizabeth Burton
MORE ABOUT THE LOWER EAST SIDE: One fascinating place to visit is the Lower East Side Tenement Museum at 97 Orchard Street, once an actual tenement. They have tours describing life as it was back then, with each floor of the building decorated (if you want to call it ‘decorated’) to depict each time period when immigrants lived there. I read a lot of books to research this story. One book I remember reading as a kid is How The Other Half Lives by Jacob Riis, a photographer and reformer of the time. The photos in his 1901 book vividly illustrate the poverty and deprivation of the times, for adults and children alike.
ABOUT ME:
My passion for history and travel has taken me to every locale of my stories, set in Medieval and Renaissance England, Egypt, the Mediterranean, colonial Virginia, New England, and New York. My urban fantasy romance, FAKIN’ IT, won a Top Pick award from Romantic Times. I’m a member of Romance Writers of America, the Richard III Society and the Aaron Burr Association. I live on Cape Cod with my husband Chris. In my spare time, I bicycle, golf, play my piano and devour books of any genre.
The historical monarch I’d most like to meet is Richard III, my favorite of all time.
Alana Lorens, author 